Alicia Forestall-Boehm

I am pleased to follow up my last post with this announcement that my encaustic and fiber sculpture  "Passages" received an Award of Recognition in the 70th Annual (WVE) Wabash Valley Juried Exhibition at The Swope Art Museum. Passages Juror Carter E. Foster, the Steven and Ann Ames Curator of Drawings at the Whitney Museum of American Art, wrote this statement for the exhibition program. "Surrealism is alive and well.  Whether through startling disjunctions of scale, eerie elimination of detail, strange juxtapositions or simply playful twists on observed reality, many of the artists I chose for this year's exhibition find endless richness in tinkering with the world while remaining fully part of it, without resorting to abstraction.  Some mined their psyches or that of an imagined other quite playfully and optimistically, without the darker undercurrents often common in this type of work.  On the other hand, the terror of the mind's unknown or blacker...

With much of my time spent creating new works, I have expended little energy on submitting to summer exhibitions.  The Swope Art Museum in Terre Haute, Indiana has had an annual exhibition for the past 69 years.  The 70th Annual Wabash Valley Juried Exhibition includes the work of artists residing in Indiana, Illinois, Kentucky, Michigan, and Ohio. Passages This year's exhibition was jurored by Carter E. Foster, the Steven and Ann Ames Curator of Drawings at the Whitney Museum of American Art.  The opportunity to position my work in front of this jurors eyes was all the motivation I needed to find the time to submit to this show. Unfulfilled Dream I entered three encaustic and fiber sculptures; "Unfulfilled Dream", "Passages" and "Living Together-But-Separate Lives". The first two were chosen and included in this exhibition.  Living Together-But-Separate Lives The exhibition runs from June 28-August 23, 2014. ...

In my last post I talked about my preparation for the exhibit "Spaces We Inhabit" and the two sculptural installations I created for this show.  This post is a collection of images from the exhibition.      "Spaces We Inhabit" at the Hairpin Arts Center, Chicago.                 Me with my installation Spaces We Inhabit .  It consisted of 7 ceiling-hung columns, each 15' long.  The cubes themselves vary in size from 1.5"x1.5"x1.5" to 4.5"x4.5"x4.5".                                            Infinite Possibilities on the wall to the left.    The Power of Place and   Make No Little Plans on pedestals.  On the wall - two paintings by...

  Back in November of 2013, artists Mary Zeran and Emily Rutledge approached me with the idea of putting together a proposal for an exhibition of our work.   What evolved was “Spaces We Inhabit: Sculptures and Paintings by Alicia Forestall-Boehm, Emily Rutledge and Mary Zeran” at the Hairpin Arts Center in Chicago.   I was familiar with Hairpin having exhibited my encaustic and fiber Vessels in the center’s inaugural exhibition “Come Together”.      Vessel 12, Vessel 14, Vessel 20 on shelves to the right. Mary Ellen Croteau's work to the left Come Together, Hairpin Arts Center   It is a beautiful light-filled windowed space situated in a historical building in Chicago’s Logan Square neighborhood. In my last blog post "Winter Exhibition News" I mused about turning a new wall hanging sculpture, “Place”, into a multi-piece installation.   100+ feet of cotton rope for my ceiling hung sculpture, Spaces We Inhabit   M...

Place (detail)   I’m sending two of my newest sculptures to Florida this month.   I am especially pleased that both were accepted as it was the first time I had submitted either for an exhibition.   Place is the largest work I have created to date, measuring 6’7”, twice that if it is laid out from end to end.   I plan to pursue Place as a series that will be hung as a multi-piece installation. Place   6’7”hx8”wx4.5”d    e ncaustic, cheesecloth, cotton cord, foam    Passages has been a work in progress.   I made the base last year and it sat off to the side in my studio waiting for inspiration.   Over time this base changed shape until I came upon the decidedly boat-like form it is today.   It then returned again to that “place of contemplation” off to the side in my studio until one day I spied the roll of copper wire I had in a container of wire and cords.   I really like the combination of metal ...

The Accumulation of Small Moments  12"hx12"w  Encaustic, Fiber on Panel  Do you ever find yourself in need of a change?  Maybe it's a change as small as a new haircut or maybe it takes the form of a new look to a room in your house.   Perhaps you don’t want a new look, but a new attitude.    Maybe what you seek is a new view of your life or your work?  W hatever it may be, it's always something fun to do because it brings some "newness" into your life.  We all find comfort in the status quo but a little change; something new can be just what we need.  Frozen Music     5.5”hx11”wx6.5”d    Encaustic, Fiber, Wire, Found Metal For a while now I have wanted to change my website.   I wanted to keep the basic design simple and focus on showing my artwork in a straightforward way.   I also wanted to assimilate various social media platforms into my website...

                                                       Vertical Lines                                                                       15”hx15”wx8”d                    Encaustic, Cheesecloth hand dyed by artist, Hemp cord, Wire, Found metal       in·...