Alicia Forestall-Boehm

My blog posts are anything but frequent!  In fact my entire art-making has taken a back seat to, well, the rest of my life!  The irony of this slip in my online presence is that between my work for the clients of my own company, Chicago Social Media Marketers, and my relatively new position as the Marketing Manager for Northshore Concert Band in Evanston, Illinois, I have been focusing on the promotion of everyone and everything BUT myself and my own art work! Well, I am here to say that I am back...for now!  I will move forward with the best of intentions to post in a more regular fashion!  But, as any resolution, this goal may not be met and my conviction to consistently post to this blog may be short-lived.  Only time will tell!! Exciting News! Two publication announcements! Surface Design Journal The Tactile World Winter 2015-2016 Towards the end of 2015, I was contacted by Miles Conrad , director of the Conrad Wilde Gallery in Tucson, Arizona.  He was writing an

I am so very happy to announce that I have a number of exciting opportunities to show my art in 2016! February 26 - March 31, 2016 4th Annual Art Competition Bridgeport Art Center Chicago, Illinois Persistence of Vision April 2- May 21, 2016 11th Annual Encaustic Invitational: Length x Width x Depth Conrad Wilde Gallery Tucson, Arizona The Power of Place May 1- June 31, 2016 The Dot Show Chicago Arts District showPODS 1822-43 S. Halsted Street Chicago, Illinois Detail, Flow October 10-November 20, 2016 Solo Space and Surface:  Sculpture and Paintings by Alicia Forestall-Boehm Western Illinois University Art Gallery Macomb, Illinois    Spaces We Inhabit, Art Space Vincennes

Setting up an art exhibition quite often begins by choosing a theme.  A theme can serve to tie all of the included works together.  It usually explores a particular concept or idea.     I am a member of the artists group FUSEDChicago.  For our first group show of the year, Textual Encounters at ARC Gallery in Chicago, we exhibited works that are inspired by the written word.  My textural reference was a quote from the artist Jasper Johns:  “One likes to think that one anticipates changes in the spaces we inhabit, and our ideas about space.” For this exhibit I wanted to include some of the columns from my sculpture "Spaces We Inhabit".  These 15 feet high sculptures were designed to be hung from the ceiling, enabling visitors to walk among them but I was unable to do so in this space.  So I adapted and installed 7 of the columns with this wall hanger.     "Spaces We Inhabit", ARC Gallery I have been in art exhibitions that use an art medium as

I was thrilled to have had the opportunity for my first solo exhibition this past December. My show Transformed Spaces consisted of two sculptural installations; Infinite Possibilities and The Spaces We Inhabit.  It considered the symmetry of the urban landscape and explored the physical and mental boundaries of the public and private spaces we inhabit.      Infinite Possibilities is a wall installation consisting of 30 unique wall cubes, each utilizing similar and familiar materials yet each recognizing its own distinctive space .   Spaces We Inhabit is an installation of a dozen, twelve foot high columns of encaustic and fiber sculptures created by altering 2-dimensional paintings.   This transformation acknowledges another kind of space; one of visual repetitiveness and change.    Transformed Spaces was installed in the Art on Armitage Gallery window December 1, 2015 and was up throughout the month.  I was lucky enough to have the assistance o